An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.

The consumer society is dead. Welcome to the preservation society! As of their first school year, children are taught to love objects, which most of them do. But not all citizens. To remedy the problem, The security forces crack down on vandals, bands of protesters and other iconoclasts. And for greater efficiency the States uses the services of Kief, a mad scientist who operates on prisoners so as to pair them with totem-objects. Which is why Judith gets wrinkles when her clothes are creased. Which is why the skin of librarian Mikoski gets pierced with holes whenever rats gnaw at his books.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
Love is Blind Season 2 is the perfect reality show to tie a viewer over until the next season of Bridgerton. Check out Love is Blind Review Season 2
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.