Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

At the start of the First World War, two next-door neighbors find themselves companions in misfortune. Faced with the horror of the trenches and the fear of death, they grow closer and become friends. But will these strong feelings that the war engendered survive a return to daily monotony?
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
Let it Snow in a nutshell, is a warmhearted coming of age teen Christmas movie.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.