1665. Louis XIV has seen fit to send a gift to the New World: surplus women to bring succor and support to French settlers in what is now Quebec. Among them is Marie-Jeanne (Julie McIsaac), who immediately falls foul of the matronly Madame Savoie (Claire Johnstone) by making nice with a native Mohawk trader, Jean-Baptiste (Raes Calvert), and his naive young sister Kateri (Kaitlyn Yott).
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Striving for validation. Let’s be frank….we ALL want to be successful. Whatever we put our efforts into, ideally it is to make it culminate in the best possible results across the board, especially when it comes to what career path we are pursuing. We WANT to excel, to shine, to advance, to be acknowledged. AND…let’s hope that we also wish to better everyone around us to boot. However, what occurs when those whom we initially put our trust in suddenly become a burden instead of a boon? Do we falter under the weight of rejection? Or STAND UP for WHO WE ARE?
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
This Agni Kai looks cool and is funny as well!
A complex, realistic, and loving mother-daughter relationship is at the heart of this story about Black pageants and the fight for a better future.
