Les enchanteurs 

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.

Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.

With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.