Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
Sam Levinson's latest film can't keep up with the excellence of its performances.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Masterful satire that shines a light on the struggles of Black creatives.
