Twenty-year-old Lera Meshcherikova has a difficult relationship with her mother. Father, grandmother and aunt Olga love Lera, but because of their indecision and lack of will, the girl has to defend her choice on her own. Tatiana cannot accept that her daughter is marrying a guy from a poor family, Denis, and in her heart tells Lera that she is the adopted daughter of the Meshcherikovs. Lera goes to live with Denis, and gradually her life gets better.: she puts up with her father, who gets Denis a job, the guy happily accepts the news that he will soon have a child, and Tatiana has to come to terms with her daughter's marriage. But Leroux is gnawing at the thought that she must find her own mother — only then will she be able to sort herself out. If the girl had known that she would have to pay very dearly for this...
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
