A film almanac, in which modern Russian designers and design studios reflect on what we can show the world in addition to Balalaika and Khokhloma. Let's trace the history of Russian visual culture — from the appearance of the Cyrillic alphabet and folk crafts to constructivism, Soviet DIY and metamodern. Let's analyze the visual language of Russian icons, find the motifs of folk costume in modern fashion, look at the Baroque, classicism, Art Nouveau and other styles from the perspective of modern design. We will try to decode our culture and find something valuable in the forgotten together with well-known designers Anton Schneider, Regina Turbina, Alexey Ivanovsky, Tatiana Egoshina, design studios FYD, CLAN, ONY,Just Be Nice, White Russian Studio and more.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
