A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

1933, California. The Nazi regime seeks to establish itself in the United States. Operating in the shadows, Nazi spies have infiltrated Hollywood and the studios, spreading their ideology and preparing to take over. Leon Lewis, a Jewish lawyer who sees the growing threat, stands in the way. With few resources, he sets up a spy ring to dismantle the Nazi groups and expose the plot. Blending archival footage and animation, this documentary depicts the unsung story of an ordinary hero who foresaw and corrected his country's fate before it was too late.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A direct fall into the white savior narrative