L'enfant de ma mère 

Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?

Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.

Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.

The 'Hawkeye' season finale features all kinds of cool characters and resolves its loose plot threads efficiently, yet it's lacking when it comes to the vital development of its characters.

Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!

Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.