Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Legend of The Roller Blade Seven poster

Legend of The Roller Blade Seven (1993)

In a post-apocalyptic world where rollerblading is the chief means of travel, the evil Pharoah sends his minions outside the Wheel Zone to abduct a psychic. The psychic has been trained in the way of the samurai, but has shunned her training to become a Passive. Once abducted, her brother joins forces with others to try and rescue her, but they face many challenges from the Dark Side.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In a post-apocalyptic world where rollerblading is the chief means of travel, the evil Pharoah sends his minions outside the Wheel Zone to abduct a psychic. The psychic has been trained in the way of the samurai, but has shunned her training to become a Passive. Once abducted, her brother joins forces with others to try and rescue her, but they face many challenges from the Dark Side.

Rating:
Genre:Science Fiction, Action, Adventure
Directed By:Donald G. Jackson
Written By:Donald G. Jackson, Scott Shaw
In Theaters:6/25/1993
Box Office:

Runtime:90 minutes
Studio:Scott Shaw Films, The Rebel Corporation

Articles You May Like


The Rise of a Kindhearted Comedy Hero: The Anti-Toxic Masculinity Message of Brendan Fraser Films

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.

Amanda Mazzillo