The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

In this time-defying, satirical adaptation of Miguel López de Legazpi's archived letters, the 16th-century Spanish expedition instead encounters present-day Cebu. The same difficulties with the island’s natives lead to their decision to leave for the other Philippine islands.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
It is up to the community to decide if this film is a force for enlightenment or not.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.