No Problem with 'Beef'
"Beef" is a new dark comedy with a near entire Asian-American cast

After a mass disappearance and brutal killing at a local campsite, the residents of Leeds Point believe a mad man is on the loose. Unfortunately for Chase, many people believe that man to be him. Though his son is among the missing, Chase remains the main suspect in the case. However, Knox, a reporter, is the only one who believes Chase didn't do it. And although he has a few crazy theories of his own, Knox promises to help Chase find the real killer. But as time goes on, and more mysterious deaths occur, the truth behind the crimes just might be the one thing Chase refuses to believe in: The Jersey Devil. Something is lurking in the woods of Leeds Point; Something that will change Chase Jackson's life forever. Leeds Point is a feature length film about New Jersey's most prolific legend: The Jersey Devil. The story of the Devil has been passed on for generations, and has been in the back of everyone's mind who ever set foot in the Pine Barrens.
"Beef" is a new dark comedy with a near entire Asian-American cast
The nations of Wakanda and Talokan enter war over their opposing viewpoints on dealing with the destructive hearts of humankind on the surface world.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.