Redux Redux (2026) and the Violent Nature of Motherhood
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.

John Middleton Murry visits France to finalize the publication of a collection of his late wife, Katherine Mansfield's, letters and journals. The publisher's girlfriend Marie (who physically resembles Mansfield) and Murry become friends. Marie gradually learns that Murry not only profited greatly from his publication of Mansfield's writings, but that as her editor he sacrificed the real Mansfield to his own romantic dream, and even that he published her letters and journals against her expressed wishes.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.