Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.

Aunty Agatha has passed away at a healthy ninety years. She had known all along, that her family wanted nothing more than to get their hands on her riches. That's why she devised a cunning plan before leaving her kin - in a state discord: She hires former journalist Vincent to give her eulogy. Vincent's ex-wife Victoria, who runs an exclusive florist's shop branded "Leaf and Blossom" is to provide the floral arrangements for her funeral. Of course aunt Agatha didn't tell either half of the former couple, whose marriage didn't end too harmoniously either, that their ex was involved. When the will is read Agatha's family doesn't take it well that Victoria and Vincent are also bequested and it doesn't help that the total value of the legacy seems to be much lower than they hoped for. But aunty is sending her avaricious offsprings onto a deviously plotted scavenger hunt that's leading them to the real fortune. Victoria and Vincent of course are given the crucial clues to take the lead.
Growing up is a challenge for everyone.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.