Le Voleur d'instants 

Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

I like discovering something new among the old and Tubi has an assortment of horror films from cinema's past for just such an occasion.

Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.

'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.