"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

Getting into his grandfather's pottery workship at night, a little boy finds an unusually large vase. Fascinated, the child feels the still-warm material, which - whether by a miracle ot the hand of a magician, who knows? - at once changes into a magnificent piece of Chinese porcelain. Presently, from behind the great blue-enamelled trees, there appears a fisherman in his sampan... That's how the story of "The Nightingale", told all in music, begins, as the waking dream of a child in the land of Chinese art - and of mobile phones and webcams.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
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