Le Requiem de Berlioz à Notre-Dame de Paris 

A brief look at two Barry Jenkins films that have established him as one of the greatest filmmakers of our time.

The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.

The external threat invaded the domestic environment at the most valuable moment: grieving.

A teen comedy that nobody wants to see.

If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Omaha reminds us of what it can feel like to look at old family photographs.  You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.