This documentary on Godard's Le Mépris features, among others, a contribution by Godard's former assistant director, Charles Bitsch, who discusses the genesis of the film. Interesting points are made about Godard's use of colors, his references to antiquity, and to Le Mépris as a work of self-reflexive cinema. Godard scholar Alain Bergala explains how Godard had intended to posit Le Mépris at a turning point in film history, "perhaps the last 'great' film", with its emphasis on characters as "instances" (the young couple, the American producer, the great German director).
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
This fantasy musical movie is an origin story about the title character.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
