A Haunting Portrayal of Motherhood in "The Lost Daughter"
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.

Léopold, valet de chambre to the avocat général Maître de Royssac, starts studying the penal code and, during his leave, becomes a judge in a "middle" court. His decisions are recognized as final. Léopold falls in love with Agnès, engaged to the two-faced Doctor Ventoux, who becomes "Le chat" when he plays the gangster. Léopold will help "Le chat" pull off the heist of the century, if he remains free to court Agnès. "Le Chat" doesn't play along. A fight breaks out between Léopold's gang and "Le Chat's" gang. The law must prevail.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Passing is a visually stunning portrayal of Larsen's story with an inclusive cast, and the performances of Thompson and Negga are sensational.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.