“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

From 1939 to 1972, every film being selected by its own country of origin, the Cannes Film Festival was a diplomatic ballet and the object of much wider issues than a cinema screen. Post-war, cold war, wars of independence, muffled propaganda ... this historical documentary approaches a Festival under influence and sheds light on controversies that have remained in the blind spot
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Poor Black characters are usually surrounded by crime and violence, while poor White characters are portrayed as noble and hard-working.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.