The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

In this rambling comic tale about a man and a wife, with four children, who calmly announce to the children that they want to divorce one another, it is impossible to tell who is dissatisfied with whom about what. They had seemed to be a perfect couple. Their flabbergasted children have mixed feelings, and the most difficult thing about the divorce, besides understanding why it is taking place at all, is deciding what will happen with the couple's numerous pets.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.