Skater Girl – Sisterhood, Rebelliousness, Social Castes, and Skateboarding
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.

Stuck with a no-good employee too charismatic to fire and a tyrannical boss who won't take no for an answer, middle-manager Mick Amsterdam is about to learn he's swimming with sharks.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.