'Peter Rabbit 2': The Runaway Hare
The second film takes us on Peter's journey to be understood.
Lawrence of Arabia: The Battle for the Arab World (2003)
An exploration into the man behind the film-inspired myth, from both Western and Arab perspectives. Thomas Edward Lawrence, a 24-year-old British spy, was a figurehead in the Arab struggle for independence. In 1916, he united Arab tribes and led them in a war against the Turks who ruled over them for 400 years. The consequences of his successes and failures sowed the seeds of conflict that continue to plague the troubled region even today.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An exploration into the man behind the film-inspired myth, from both Western and Arab perspectives. Thomas Edward Lawrence, a 24-year-old British spy, was a figurehead in the Arab struggle for independence. In 1916, he united Arab tribes and led them in a war against the Turks who ruled over them for 400 years. The consequences of his successes and failures sowed the seeds of conflict that continue to plague the troubled region even today.
Rating:
Genre:Documentary, History
Written By:James Hawes
In Theaters:10/21/2003
Box Office:
Runtime:112 minutes
Studio:PBS, Lion Television
Cast
Articles You May Like
Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
"Abominable" is not Abominable at all
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Juneteenth: Don’t Worry about Slavery, the White People Fixed It
Juneteenth is a day to commemorate the emancipation of enslaved people in the United States on June 19th, 1865. We did it! Everyone is free! Everyone is equal! End of story, right?
Candyman's Use of Historical Black Puppetry as Narrative Device
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.