'Dune' Disappoints
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.

The film takes on Ali, a member of a wealthy family, and his shared infatuation with a night club worker by the name of Tülay. Ali and Tülay want to get married. Though Ali’s father disapproves of the union at first, he eventually gives in. But the owner of the night club that Tülay works at, Ejdar Hasan, also has his eye on her. Hasan proposes a large sum of money to Tülay as a measure to convince her not to get married to Ali. When Ali’s father ups the offer, Hasan resorts to other plans. The day of the marriage, Hasan and his men cut off the wedding motorcade. In the conflict that arises, Ali’s father is killed. In retaliation, Ali kills a few of Hasan’s men, and lands himself in prison. During the transfer from the courthouse to prison, Ali escapes in order to exact his revenge
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.