Ayaan, a man with a traumatising past, finds his life changed when he meets Isha, a painter. However, his happiness is short-lived as his past haunts him.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
