"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

João is a freelance television journalist. When he begins a new story about an old pigeon breeder in a poor neighborhood on the outskirts of Lisbon, João meets Ana, his teenage granddaughter, a mysterious character who is beginning to exercise an irresistible fascination for him. With the time João starts to lose the interest in the pigeon breeder and begins to take an interest in Ana and her world, which she only shares with another abandoned kid, until she realizes that her life is full of dark stories.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
In order to learn why an arguably outdated fanfic trope was resurfacing in the contact zone of popular culture, I dove into a vibrant trough of character development.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
This horror movie combines elements of horror and babysitting with Black representation.