L'autoroute de tous les extrêmes 

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.

With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

This article discusses the classic and timeless franchise, The Smurfs.

The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.