'Overcast' - MiamisFF Review
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.

Bong-tshio is your ordinary countryside grandma, raising four kids in an impoverished environment; however, the kids that grew up and started their own families do not respect her, fostering her in turns for one month, while bargaining with each other about the number of days in different months. But the optimistic Bong-tshio always just laughed it off. Until one day, she got lost and wandered into a police station, and then accidentally won the top prize of the lottery. Her children began to look for her desperately, rushing back to their old place in the countryside, and kicked off a ridiculous competition of filial piety.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
KIMI is the main character of this film and as much as I wish it was Angela Childs played by Zoe Kravitz, it isn't. KIMI is a smart device that works not unlike Amazon's Alexa and Google's Nest assisting in anything from home purchases to music playing all under the guise of only activating when in use.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
Who knew a drunken game of truth or dare could launch one of the most chaotic rom-coms of the year? The Threesome takes Connor’s fantasy night with Olivia (Zoey Deutch, in peak queen-of-indie form) and Jenny (Ruby Cruz) and flips it into a deliciously messy nightmare when both women end up pregnant. What follows isn’t cheap comedy—it’s a whip-smart, heartfelt exploration of love, consequence, and the beautiful disasters we call adulthood.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
A deer caught in the headlights is the perfect metaphor for Animals.