“The Willoughbys” Finds Light in the Darkness
A dark film in the tradition The Brother’s Grimm.

A worn record by Lou Reed, clips of film, texts that run on the video and are erased: traces of D. Sounds and images collected and rearranged, which recompose a simulated portrait, perhaps not resembling its original, but in which an attempt has been made not to lose that found charge of poetry and provocation. This film was made in 1982, on randomly recovered Super 8 material, shot by D., a seventeen-year-old boy, between 1977 and 1978, and completed with texts taken from interviews recorded in the same period. We have tried to transform forgotten finds, made of hallucinated and lucid self-portraits, significant of an original way of experiencing the condition of youth into active and narrated documentation.
A dark film in the tradition The Brother’s Grimm.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.