Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

The body is not merely matter but a continual and incessant materializing of possibilities.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.