"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

You smell that? That's the overpowering stench of the unwashed cocks, day-old loads, and musky jockstraps that take a star-turn in the raunchy and unfiltered hookups of the Late Night Drive-In. Get ready as director Chi Chi LaRue showcases a rowdy pack of cum-hungry perverts as they escape to the darkest and dirtiest fuck spots to worship each other's ripe pits, filthy foreskins, and musty holes.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The Season 3 finale overall upholds everything that Incluvie is primarily concerned about when it comes to media content
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
The film is trying to revive DC's former glory, it really is, it just doesn't have everything it needs to get there. Luckily, Black Adam isn't as bad as many internet haters want you to think it is.