Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
L'Atalante (1947)
Newly married couple Juliette and ship captain Jean struggle through marriage as they travel on the L'Atalante along with the captain's first mate and a cabin boy.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Newly married couple Juliette and ship captain Jean struggle through marriage as they travel on the L'Atalante along with the captain's first mate and a cabin boy.
Rating:
Genre:Comedy, Drama, Romance
Written By:Jean Vigo, Albert Riéra, Jean Guinée
In Theaters:6/21/1947
Box Office:
Runtime:88 minutes
Studio:Argui-Film, Gaumont-Franco Film-Aubert (G.F.F.A)
Cast
Jean Vigo
Director
Michel Simon
Père Jules
Dita Parlo
Juliette
Jean Dasté
Jean
Gilles Margaritis
Peddler
Louis Lefebvre
Cabin Boy
Maurice Gilles
Office Manager
Raphaël Diligent
Raspoutine, the boatman
Claude Aveline
(uncredited)
René Blech
Best Man at Wedding (uncredited)
Lou Bonin
Passenger at Railway Station (uncredited)
Charles Dorat
Thief (uncredited)
Articles You May Like
Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
“Birds of Prey” and the Fantabulous Emancipation from the DCEU
Birds of Prey has some of the best stunt work and choreography of 2020, and was the most fun I’d had in an action film since John Wick 3.
'Bodies Bodies Bodies' Is Easily A New Addition To Modern Slasher Classics
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
An Interview with Writer/Director Albert Acosta
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.