‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

In a devastated world, Yonatan, the developer of a device which allows the re-experience of recorded memories, becomes obsessive about the last recollections of his late wife. When it's time to move to a safer place and leave the memories behind, he holds on to the remnants of the past and refuses to face reality.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.