"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.

Late at night a gang of young men refuse to pay their bus fares, and assault the conductor. None of the other passengers or the driver intervene. After the incident everybody involved is interviewed in the studio about why they behaved as they did. Scene’s first play, specially commissioned for the series, was repeated late at night for an adult audience in December 1968, and shown again for schools to mark 25 years of Scene in 1993.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.