Juana and Francisca are serving at the Stevens house, an American couple. Both of them have a boyfriend, one is an egg-carrier and the other is a transporter with his own motorcycle. And both with a totally totalitarian and macho concept regarding male-female relations. The girls also have two American suitors assigned to the American Base of Torrejón, friends of their masters. Thus, without almost pretending, the two girls will find themselves in the midst of the jealous Spaniards and the beefy Yankees.
José María Forqué
Director
Concha Velasco
Juana (as Conchita Velasco)
Amparo Soler Leal
Francisca
Laura Valenzuela
Lt. Sheila Gresham (as Láura Valenzuela)
Manolo Gómez Bur
Lorenzo de Soto
Alfredo Landa
Antonio Ponce de León
José «Saza» Sazatornil
Dr. Peter Puig
Margot Cottens
Mrs. Meg Stevens
Lina Morgan
Mari Loli
Florinda Chico
Doña Lola
Álvaro de Luna
Spencer
William Layton
Mr. Stevens
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.