Propelled to the head of the W Group after the death of his adoptive father, Largo Winch decides, to everyone's surprise, to sell it, and use the proceeds to create an ambitious humanitarian foundation. But on the very same day, he finds himself accused of crimes against humanity by a mysterious witness. To prove his innocence, Largo will have to retrace the steps of his past life, in the heart of the Burmese jungle.
Jérôme Salle
Director
Tomer Sisley
Largo Winch
Sharon Stone
Diane Francken
Ulrich Tukur
Dwight Cochrane
Olivier Barthélémy
Simon Ovronnaz
Napakpapha Nakprasitte
Malunaï
Laurent Terzieff
Alexandre Jung
Nicolas Vaude
Gauthier
François Montagut
Clive Hanson
Nirut Sirijanya
General Kyaw Min
Anatole Taubman
Beaumont
Dmitri Nazarov
Virgil Nazatchov
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
An aspect of She-Ra that I find refreshing is even though a large portion of the cast is on the LGBTQ+ Spectrum, being gay is never mentioned. While this might initially sound like a negative thing, in the show’s land of Etheria being on the gay spectrum is shown to be so common and normalized that straight isn’t the default. As much as there is to appreciate about narratives revolving around the obstacles that may come from being non-heteronormative, it’s nice to get immersed in a world where no one bats an eye at all to any sort of differing identity.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.