Three ex-cons buy a luggage shop to tunnel into the bank vault next door. But despite all they can do, the shop prospers...
Lloyd Bacon
Director
Edward G. Robinson
'Pressure' Maxwell
Jane Wyman
Denny Costello
Broderick Crawford
Jug Martin
Jack Carson
Jeff Randolph
Anthony Quinn
Leo Dexter
Edward Brophy
Weepy Davis
Harry Davenport
Homer Bigelow
John Qualen
Sam Bachrach
Barbara Jo Allen
Mademoiselle Gloria
Grant Mitchell
Mr. Aspinwall
Jackie Gleason
Hobart
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
The Owl House has swiftly become one of Disney’s beloved cartoon series.