In this dark comedy, defense lawyer Jake Jorgenson's carefully constructed life begins to unravel when he kills his wife's lover.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
