After crossing into the U.S. with no family to speak of, young Cecilia finds herself in the charge of Francisco, a lonely Cuban immigrant long separated from his own family. Francisco operates a way station for border crossers on the outskirts of Lake Los Angeles, a surreal, desiccated lakebed in the California desert. While he copes with the alienation of living alone in a foreign land and the impossibility of realizing the American dream, Cecilia aimlessly wanders the dusty landscape, accompanied only by her fantastical imagination and distant memories of motherly love.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Cord Jefferson's hilarious and thought-provoking film continues a long-standing cinematic tradition, expanding the conversation around the impact of systemic racism in today's media.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
