'Don't Breathe 2,' the Horror Sequel That Offers a Rapist an Undeserving Redemption Arc
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.

The documentary film Laidi tells the story of the last year of Laidi Primary school in Laidi Manor, southwestern Latvia. Ieva Epnere came to Laidi in autumn 2021 as part of a creative residency to learn about the history and stories of the parish and to find inspiration for a new artwork. During the residency, the idea of collaborating with the school's theatre group was born, and together with choreographer Elīna Gediņa the movement performance Laidu leģendas (eng. Tales of Laidi) was created. Parallel to the development of the idea, the artist learned about the decision of the Kuldīga County Council to close the school. The disturbing news prompted Epnere to document the situation. The result is a documentary film spanning all seasons and connecting the everyday life of the school with preparations for a reunion that will also be a farewell.
'Don't Breathe 2' is a sequel that forgoes almost everything that made its predecessor good, and asks audiences to root for a rapist on top of that.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.
The external threat invaded the domestic environment at the most valuable moment: grieving.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This animated Christmas movie is based on the classic novel of the same name.