When Marie embarks on a road trip to a small seaside town, she’s joined by her quirky best friend Czerni and the eccentric, free-spirited schoolteacher Frau Rettich. What starts as a peaceful getaway quickly turns into an unpredictable journey of self-discovery, awkward romantic encounters, and hilarious escapades. As the trio’s personalities clash and their bond deepens, the trip becomes more than just a vacation—it’s a wild ride of love, friendship, and life’s unexpected twists. Frau Rettich, die Czerni und ich is a charming, offbeat comedy about finding yourself and embracing the chaos along the way.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
