Movie Review: Sofia Coppola’s ‘On the Rocks’
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
Lady Lazarus
A cinematographic response to Sylvia Plath’s Lady Lazarus with Plath’s own readings of her poetry. A carousel of images in windows, an atmosphere of constant metamorphosis; her poetry as cinema. Audo outtakes of Plath reading from "Cut," "Daddy," "Lady Lazarus," "Ariel," "Ouija," as well as excerpts from a 1962 interview. Mixing images of Plath's obsessions (ouija boards, horses, violent self-harm) with photographs of the poet and her work, the film delves deeply into an existence that Plath herself, in a voice-over interview, calls "living on air."
- / 5
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A cinematographic response to Sylvia Plath’s Lady Lazarus with Plath’s own readings of her poetry. A carousel of images in windows, an atmosphere of constant metamorphosis; her poetry as cinema. Audo outtakes of Plath reading from "Cut," "Daddy," "Lady Lazarus," "Ariel," "Ouija," as well as excerpts from a 1962 interview. Mixing images of Plath's obsessions (ouija boards, horses, violent self-harm) with photographs of the poet and her work, the film delves deeply into an existence that Plath herself, in a voice-over interview, calls "living on air."
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Runtime:24 minutes
Studio:BFI
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