Tony, a popular but bankrupt New York socialite, sends his stenographer to Newport to find and marry a millionaire but she owes her boss a 10% commission.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
The story of the singer's career in her Sweetener World Tour is told in this featured documentary film.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
