Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Labyrinth is about new apocalypse. All the war and peace imageries we've seen on the net, newspapers, Hollywood movies with a new filter. Every character is created on the computer from scratches. Every item has a distortion and variation filter such as gravity variation, speed variation which makes natural and daily elements look like different.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.