Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Secluded from the rest of the world in a bare and anonymous room, an old man recalls the most important moments of his life thanks to the memories contained in a mysterious suitcase.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.