“La Valanga Azzurra” traces the unparalleled journey of the Italian national alpine skiing team of the 1970s, led by the legendary coach Mario Cotelli and spearheaded by champions like Gustav Thöni and Piero Gros. Through victories that rewrote the history of Italian sports, such as the conquest of five World Cups and numerous medals across the Olympics and World Championships, the documentary celebrates internal rivalries, contrasting personalities, and the sacrifices that made this team invincible. The previously unseen testimonies of the protagonists, intertwined with the narration of Giovanni Veronesi, who, in this context, reveals his past as an aspiring champion, bring to life the unique saga of a sporting cyclone, from its glorious beginnings to its inevitable decline.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Friendships are tested when two girls have a crush on the popular boy at school.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
