La troupe à Palmade s'amuse avec...François Berléand 

This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.

The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey. 

White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.

In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.

Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.

Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.