“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Burdened by debt after a long dry spell, actor Marius de Villeduc finds himself forced to accept the lead role in the new film by Richard Favard, a promising actor-director whom he knows nothing about. However, in order to receive his full fee, he must agree to one condition: participate in the preview tour! Alongside Richard, Colette, and Lulu, Marius reluctantly sets off on a chaotic and colorful road trip across France.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The film is a powerful narrative encompassing a theme that many people can identify with.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.