"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

The life of Antonio suddenly changes when she meets Serena, a young nun who took the veil to escape the hard life of the country and has chosen the provision of assistance to the sick to get out of the convent, which falls in love, moving from the role of seducer to that of seduced.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
Sam Levinson's latest film can't keep up with the excellence of its performances.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
Who said Batman is the only hero to rock the black cape? This article will explore vampires as trans allegories and the femme fatale trope being remastered.