'Joker' (2019)
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.

Adelaide takes possession of an island in the Pacific inherited from her deceased husband. She is opposed by the chieftain and a convict. To get the island's citizenship she tries to marry the convict, but he prefers to turn himself in.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Star Wars is better if you believe that Luke Skywalker is gay. You can't change my mind.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.